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ULUHTWSBN 47

ULUHTWSBN

Chapter – 47

Making Miniatures



I slipped a bookmark into my book and was about to pass by the workshop when,

I happened to glance inside.

I saw the Underworld King and Adachi,

seriously working on something.

Adachi often spends time with the Underworld King.

What are they doing?

Curious, Mukai stepped inside.

“What are you two making?”

Both the Underworld King and Adachi looked up at the same time.

“Miniatures,” they said.

Looking closer, I saw the Underworld King crafting a desk,

and Adachi making a sofa.

“They saw me working here and said they wanted to make something too,

so I’m teaching them,” Adachi explained.

As we were talking, a man in his thirties appeared from the back.

He was Masomi Toju, a miniature dollhouse artist.

After visiting the salon and seeing the gallery,

he wanted to make his own Underworld dollhouses here,

so he registered as a temp and began creating his works in the workshop.

“I hope we’re not getting in your way,”

he said nervously.

“Don’t be ridiculous. I’m serious about what I’m making,”

Adachi replied.

“I’ll finish this piece, then build the room,

and have it displayed in the gallery,”

Masomi added.

“Exactly,” the Underworld King said, exchanging a glance with Adachi and smiling happily.

“If it’s a bother, I can make you leave,” Mukai offered.

“Not at all. The things you two make are actually quite good.

You’ve already made two miniature items,

so if you keep going, you’ll be able to make a whole dollhouse,”

Masomi assured.

“See? He said it,” the Underworld King said proudly, ignoring Mukai as he looked at Masomi’s work.

“Is this… the River of Three Crossings?

It’s beautiful.

So this is how you see it, huh?”

I was captivated by the exquisite detail.

“Before seeing this gallery, I never thought I’d want to make anything.

I was dead and didn’t really care anymore,”

Masomi said, picking up a tiny stone with tweezers and placing it on the riverbank.

“But then I was told that everything in this gallery is made by the dead,

and I was fascinated.

Having something I made displayed here… it’s like a dream.

Once someone sees this in the Underworld,

anyone would want to create a masterpiece before moving on to their next life.”

Watching Masomi speak with sparkling eyes,

the Underworld King smiled in delight.

“The piece I’m making now will need a place to display it once it’s done,”

he said.

“Don’t worry about that.

We have professional carpenters who can make display shelves tailored to your work,”

Masomi reassured him.

“Really? Then I can make it as I want.

I feel relieved,” he said, sitting down to continue his work with joy.

“Is your job okay, Underworld King?”

“Huh? Oh, yeah. I’ve already loaded a week’s worth of souls into the Spirit Cannon, so I’m fine,”

he replied.

The Spirit Cannon is a device used to place souls into unborn children.

In the past, it was manual, so the Underworld King and the Shinigami had to stay close by.

Now, it automatically inserts souls into children being born,

allowing the Underworld King to have free time for hobbies.

“It’s convenient to load them in rapid succession.

The chance of stillbirth has gone down,

and it’s helpful that there’s no error with the automatic standard.

I really appreciate the research and development team,”

he added.

When setting the standard manually, even a slight mistake could cause a stillbirth.

Just having that risk reduced was a huge relief.

As we talked, an alarm went off.

“Evil spirit enlarged in XX Town.

Extermination team is on site.

All available personnel, report immediately.”

I had just been about to take a nap…

I exhaled deeply and called to Adachi.

“Come on, let’s go.”

“Just when it’s almost finished—don’t touch this!!”

Adachi stared at the Underworld King.

“Who taught you to doubt me like that?”

The Underworld King glanced at Mukai.

“Is this my fault? I don’t think so.”

“Enough, just go already,” Mukai said.

The Underworld King waved his hand, but Adachi shot him a suspicious glare as we left the room.

As I was about to go, I peeked in from the doorway.

“Underworld King, don’t touch Adachi’s work,”

I warned, stopping his hand.

“You really have no trust, do you?”

“I understand. No mischief,” the Underworld King raised both hands.

Beside him, Masomi laughed at our exchange.

I looked at the Underworld King silently.

“….”

“I swear to God, I won’t do anything.”

“Well, it’s not like it matters if you say that,”

I muttered and headed back down to the human world.

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Underworld Lord of the Underworld vs. Humans: The War of Spirits Begins Now

Underworld Lord of the Underworld vs. Humans: The War of Spirits Begins Now

『アンダーワールド』冥王VS人間~魑魅魍魎の戦が今始まる~
Score 10.0
Status: Ongoing Type: Author: Released: 2024 Native Language: Japanese

This story depicts the everyday life of the Underworld as it clashes with the human world — a nation ruled through human sacrifices.

Even the Underworld earns money through markets and gathers funds for living together with yokai and ghost writers.

They exorcise evil spirits in the human world for no pay, and the later part of the story follows what happens after divine punishment begins to fall upon humans who commit deicide.
Some of this continuation is touched upon in the side stories, so please give them a read as well.

This is a world teeming with the Underworld, shinigami (death gods), humans, ghosts, and yokai...

The nation within the story is covered in evil spirits born from people’s negative emotions.
Special agents belonging to the Underworld continue to work for the sake of these people — even after death.

From natural disasters caused by earthquakes to various rituals, the story does contain some intense scenes midway through.
However, aside from those, the overall tone is that of a gentle, slow-life story set in the Underworld.

The main story is complete, though the emotional issues of the citizens leave the fate of the nation unresolved.

With the introduction of adorable little yokai, the story also portrays adults getting wrapped up in the antics of children, so even ritual scenes are depicted in a soft, approachable way.

The first arc mainly focuses on introducing the protagonists.
The plot starts to delve into the core of the story from the second arc onward.
A major storyline concludes in the eighth arc, and from the ninth arc, a new battle begins.

This is not a revenge story, a noble/aristocratic drama, or a romance — so if that’s what you’re looking for, this might not be the right fit.

I’d be delighted if you could spare a little of your precious time to read this as a modern fantasy.

This story is a work of fiction. Any resemblance to real people, organizations, or places is purely coincidental.

 

Yakumo Shō

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